4-Dimensionale projektive Ebenen mit grosser abelscher by Knarr N.

By Knarr N.

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And with its new technical options, it is precisely the hard and transparent material glass that is offering fascinating possibilities for facades – by way of coloured foil in laminated glass, enamelling processes, but principally through silk-screen printing, which enables the most diverse effects. For the architects Matthias Sauerbruch and Louisa Hutton from Berlin, colour is an essential style device in their architecture. 29). The motif covers the entire, completely regular facade and leads to the loss of all tectonic references.

The once crystalline or elegantly curving structures had given way to strict quadrilateral containers in which the main focus of attention is devoted to choice of materials and careful detailing. Mies was obsessed with the perfection of certain stylistic aspects and his architectural language fits neither the location nor the task in hand. Housing and offices all came out of the same mould; the architectural language of his New York skyscrapers was later applied in a similar vein to projects in Chicago and Toronto.

For the architects Matthias Sauerbruch and Louisa Hutton from Berlin, colour is an essential style device in their architecture. 29). The motif covers the entire, completely regular facade and leads to the loss of all tectonic references. On the outside of a combined police and fire station (2004) in Berlin’s new parliamentary district, they used coated glass to create a fascinating pattern of different shades of red and green, reflecting the traditional colours of the fire brigade and police force in Germany (see Example 13, pp.

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